ADAM BARON
creates objects that are concerned with rational construction methods. His work combines formal composition with moments of fine detail in a variety of scale, reifying the history of industrial production and emphasizing the care of the metalsmith.
@ambcrft | adambaronmetals.com
MARIN NEUHARD
examines residual retail objects as adornment. She interprets discardable objects like packaging, tags, and receipts with a trompe-l’œil, pop surrealist attitude.
@moneuhard
CHRISTY CONRAD
is informed by the tension and release of life. She creates forms in everyday materials enriched with delicate metalwork influenced by her training with traditional Japanese techniques.
@christyaconrad
WINCHI DE JESUS
maintains a heart-forward practice, seeking to feel and make others feel. Their research is driven by the indigenous Filipino worldview of Kapwa, which means togetherness. Anchored by familiar shapes, textures and confident simplicity, they perform an act of affection and observance.
@winchilovesyou
YU CHEN JHENG
creates body-related forms drawn through her sensory experiences and observation of nature. She views jewelry as an intimate medium that connects material, wearer, and environment.
@jyc.910
ESTYN HULBERT
combines techniques gleaned from basketry, textiles, and metalsmithing to explore singular material possibilities, gestural repetition, and concepts of time as evidenced by our relentless consumption.
@estynhulbert | estynhulbert.com
SARAH BURACK
researches ancestral spirituality in relation to historical craft practices. She uses assemblages of fragmented iconography and gestural forms to interrogate the role of tradition in contemporary interpretation.
@sarahburackstudio | sarahburack.com
EUNHUI STELLA LEE
explores the body as a shared site for jewelry and food, tracing the metabolic transformation from consumption to residue. By investigating the reciprocity between the body and ecology, she activates the performance of care through craft.
@Eunhui_stella_lee
